13 Holiday Classics That Originally Bombed at the Box Office
Home Alone and The Polar Express may be among our favorites, but not every holiday movie starts as a smash hit.
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Classics That Bombed
While holiday movies are a beloved part of family movie nights these days, some flicks weren’t that well-received when they first landed in theaters. Read through to see which classics had rocky starts.
It’s a Wonderful Life
Year after year, we swoon over that dashing, conflicted George Baily… but when It’s a Wonderful Life debuted in theaters in 1946, it actually lost over half a million dollars and, according to Richard Jewell and Vernon Harbin’s 1982 book The RKO Story, it nearly destroyed director Frank Capra’s career. Not even James Stewart could save this one. Here are the top movies of all times to get you in the Christmas spirit.
A Christmas Story
This classic Christmas movie was also a classic “sleeper film” earning only $2 million opening weekend, probably because it opened a week before Thanksgiving in 1983, according to the New York Times, who suspect its release was a bit off-season for the film’s title. Just think: now you can buy your own leg lamp any day of the year. Need more? Here are 10 things we bet you never knew about the movie A Christmas Story.
The Muppet Christmas Carol
From Disney’s powerhouse studios came the world-famous Muppets, but also Aladdin. And as if that wasn’t enough competition, Home Alone 2: Lost in New York was also in theaters when The Muppet Christmas Carol was released in 1992. The film opened in sixth place, but the kids still love it. Here are 15 more of the best Christmas movies for kids.
Miracle on 34th Street
Our beloved Miracle on 34th Street brought in only $2.7 million. It probably didn’t help that it was released in 1947… in June. Sure, the studio may have tried to capitalize on better theater attendance in the summer months, but this is a film about Santa Claus, after all.
The best explanation for this 1995 box office failure is that it was just bad. Not only did USA Today call it a “bomb,” but Entertainment Weekly, The Washington Post, the Los Angeles Times, and Variety all had something to say about it, too. Oh, and there was speculation in the New York Times that this New Year’s Eve flick may have inspired “copycat” crimes of arson and theft in the subway. Yikes. If you like this one anyway, here are some other anything-but-traditional holiday movies we love.
The Bishop’s Wife
It stars Cary Grant. What’s not to love? According to producer Sam Goldwyn, it simply wasn’t obvious enough that he was the star of the film. He had all the movie posters updated with his first name in the title, Cary and the Bishop’s Wife, and reckons it “upped the film’s business as much as 25 percent” according to the Saturday Evening Post. Much better.
A Holiday Affair
As if affairs aren’t sticky enough, Turner Classic Movies says the lead casting changed numerous times as filming approached. When star Robert Mitchum was ultimately selected for this 1949 flick, his name was already popular in headlines—about his recent arrest for marijuana possession. Whether due to the rushed production or the main actor’s bad press, the book The RKO Story revealed that the film actually lost $300,000.
A Christmas Carol
Originally released as Scrooge in the United Kingdom, where it actually did quite well, Turner Classic reports that its 1952 A Christmas Carol didn’t hold up in U.S. theaters. Maybe that’s because it came out on Halloween. It did gain popularity when it started airing on television a few years later, just like It’s a Wonderful Life, probably due to “the extraordinary talents of Alastair Sim.” Over 50 years later, the New York Times chief film critic A. O. Scott considered all film versions and declared this one “the best of them all.” Some of our favorite holiday movies actually started on television, like these 20 best Hallmark Christmas movies.
The production budget was $100 million. What did it bring in? Only $72 million. Ouch. Saint Nick’s sibling rivalry was a fun idea, but the 2007 film was just bad. Terrible reviews poured in from everywhere, including Entertainment Weekly, The Chicago Sun-Times‘s Roger Ebert, and the Hollywood Reporter, who wrote, “The film isn’t just not funny, it is off-putting.”